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Friday, May 05, 2006
New Site coming soon

Due to the fact that I can never get on here because my server does not agree with the site, and when it does, you can't often read what I've written, I'm currently working on a bigger better site that will be up within the next few days (and updated far more often than this one was!) Thank you for your patience, bare with me, I'm working on it

Posted at 03:03 am by angel_039_95
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Wednesday, March 15, 2006
the first lot

Due to unforseen circumstances, and amongst other things an internet provider that won't even let me get on to my own website, I haven't updated this for quite some time. The upside is that I have a whole heap of reviews sitting here waiting to be posted. There is going to be new stuff up on an almost daily basis, so keep your eyes peeled. Here are three of the reviews.

Cornish arms 5th birthday Celebration

I arrived at around six to catch Nick Barker’s set. He opened with “Imogene” and stated that it was an example of “songwriting revenge”. Following “World’s a Peach” and “Action Jackson, Nick changed the tone and explained that “The Other House” was about his grandmother, before playing “Protection”. The short set was finished with “Space For Rent”. One of the other acts I had the pleasure of seeing was Vika and Linda Bull who sang a powerful set full of soulful, feel good, up beat tunes before Karma Country and State Of The Union Jack. Kerrie Simpson came on stage, with Chris Wilson joining her through out the short sets. The last set for the night belonged to Ross Wilson who opened with a new song “Here On God’s Island before “Time Destroys (As Well As Heals)”. Daddy Cool’s “Come Back Again” was the third song of the set. “Mood Swing”, which featured in a Mothers Day CD to help raise funds for charity earlier on in the year was the next song. It was back to the older songs with “Daddy Cool” before “Cool World”. A new entry to Ross’s set list came in the form of an older song, “Woman Of The World” which was originally released when Ross was with The Party Machine, before the upbeat “Hi Honey Ho”. “Bed Of Nails” from Ross’s latest album, Country and Wilson was followed by a Mondo Rock classic that had the audience clapping along – “Come Said The Boy”. The night finished with everyone singing along to “Eagle Rock” before happily cheering Ross back on stage for an encore of “Hound Dog

Daddy Cool DVD Launch.

 

I was fortunate enough to go to the Daddy Cool DVD launch last Tuesday night and I must say it was a gas! The night kicked off their short set with “$64,000 question” followed by “Good Rockin’ Daddy” (which still features regularly in Ross Wilson’s solo set). After the song that has been dubbed “The Stalker Ballad” by many a newspaper, “Come Back Again” before the B-side to Eagle Rock, “Bom Bom”. Daddy Cool’s newest release, “The Christmas Bug” was next and it was more than clear that the band loved being onstage as much as the lucky audience loved having them back. My personal favourite Daddy Cool song “Hi Honey Hi” was next and has never sounded better. The short set finished with “Eagle Rock” leaving the audience wanting more (hopefully it won’t be another 30 year wait)

 

Finally I’d just like to say a big thank you to the folks that put the night on, particularly the person that got me into the launch. Thank you for a great night; it’s something I’ll never forget.

 

The DVD is available right now at all major retail and music stores. It’s one of the most professionally done music DVDs and contains footage of the Tsunami benefit gig earlier this year, which, if you weren’t there, you should buy just for that concert alone, let alone the other few hours of great viewing.

 

Andy Baylor benefit gig – The Rainbow Hotel

 

The night started with a great set by Mike Rudd as you may have never have heard him before – solo and acoustic (also gigging at Fresh in Elwood on the 22nd of Jan.) I love hearing Mike solo as the acoustic approach breathes new life into classic songs, as well as a few new ones. Mick Thomas played a set as well. Before the Hornets came one featuring none other than Daddy Cool’s Wayne Duncan and Gary Young. The Hornets played a short blues set, including “Heart attack and Wine” and “Save Somebody”. By this time the Rainbow was well and truly packed to the point where it was hard to move, but there was a great atmosphere as Joe Camileri came on for a short two song set before Lucy Miller came on for three and then Ross Wilson came on to play “Flamingo”, before “Mood Swing” and the night finished with a song that should hopefully make it on to Ross’s new album, “Sexy Girl”


Posted at 10:21 am by angel_039_95
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Tuesday, November 08, 2005
The Sparrows and The Inches Dual CD launch

The Sparrows, The Inches, The New Black . . . The New Sensations! The Sparrows and the Inches had their Dual CD launch Friday night and it was nothing short of impressive. The Inches came on after two warm up bands, one of which was The New Black (they have their CD launch at the Ding Dong in a few weeks, stay tuned for more details) The Inches and The Sparrows have to be in my oppinion, two of the classiest rock acts to come out of Aus in quite a while. The inches came on before The Sparrows, with a fresh sound, a new drummer and the professionalism of a band that could handle anything thrown at them. The lights went out halfway through the set and Andrew Furze instead of panicing at the technical failure, made a joke out of it, and the band kept playing. Although the punters could hardly see at all, every set of eyes was directed at the stage, still captivated by the band playing . . until the front of house went. It came back on within seconds and the band counted back in, and kept playing, once again, unmoved by the technical failure until the front of house started playing up for a third time and the band were directed offstage for a short period of time. Lead singer Andrew Furze took the microphone and asked the audience if they should take the stage to finish their set. The response was a loud "yes". The Inches finished their set with an amazing cover of Space Trukin' that Deep Purple would be proud of. The Sparrows came on for a sensational set which included my personal favourite, "Diamond Eyes" which is unfortunalty not on their latest EP. The Sparrows wowed the audience, with a great cover of "Maybe I'm Amazed" as well as their own brand of rock. The blend of melody and rock like no other band crawling around melbourne at the moment is the huge selling point as well as their energetic stage performace(the same can be said for the Inches, but make no mistake, these are two different bands that are great in their own right) I can't describe why, but for some reason I feel particularly proud watching this great young, talented band, finally get to record. Earlier this year at the Melbourne International Music Festival, Michael Badger remarked that one of the songs in the set "would be on our CD . . . if we had one". Ohhhhh, I remember now why I feel proud that The Sparrows are finally starting to see success, because they deserve it. Well Done to two fantastic bands whom are sure to set Australia alight, followed by the rest of the world. Watch out for The Sparrows and The Inches at a venue near you. Eagle rock set for a third birth. . ? Eagle Rock has finally become cool again in the eyes of what would appear to be “mainstream”. Walking in the city late last Friday night I heard eagle rock blaring out of the radio in one of the “happening places” along Bourke Street, Melbourne. I walked in, thinking that the radio that was playing was on gold FM (Melbourne’s classic hits station), I got a pleasant surprise to find out that the radio was actually on Fox FM(the “top 40” music network), in their top thirty requested songs for the day. I’d say it would have been low down in the countdown, but unfortunately I never got what number. This is not the only chart that has seen Eagle Rock as an entrant with the young folks music (I’m able to say that, being less than 20, myself) Eagle Rock entered the JB Hi Fi most downloaded songs of the week at number Four on the 31st of October, and Come Back Again was at number six before that. Something that may be helping to boost the awareness of a great song to a generation that haven’t seen Daddy Cool enter the charts (eagle rock re-entered in the 80’s and hit top 20 status as a single) is the use of “Eagle Rock” in the horror flick “Wolf Creek”. Whilst I’m on the subject of “Eagle Rock” . . . I was in a pub the other day that has a juke box that plays music clips. I selected Eagle Rock and was nothing short of outraged when the clip played was not the original clip, but another clip featuring blondes doing a choreographed version of the “Eagle Rock” to the daddy cool classic, with a few snippets of the original clip thrown in for good measure. Someone, somewhere has once again, taken a perfectly good piece of work and “up-dated” it. The only problem with that is that my guess was that it got “up-dated” in the late 80’s or early 90’s, now it just looks out of date. I don’t think I’ll be putting my money in that jukebox machine anymore, I may even have to change pubs after this . . .

Posted at 01:45 am by angel_039_95
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Tuesday, November 01, 2005
Steven Cummings, Joe Camileri and Ross Wilson @ The Palms at Crown

Steven Cummings opened the show on an acoustic guitar playing five songs and finished with “Who Listens To The Radio” as well as playing “Don’t Throw Stones”. This was followed by a full set by Joe Camileri and the Black Sorrows. The Black Sorrows (minus Vika and Linda Bull) opened with “The Chosen One” followed by the unforgetable “Hold On To Me”. The Next song was the cool “Ain’t Love The Strangest Thing” and “”Come On, Come On”. The song that really impressed the audience was “Harley And Rose”. “Shape I’m In” was the other highlight of The Black Sorrows set and “Somebody’s Gotta Love Somebody Sometime” before finishing with an old blues number. My only small criticism was the ending number. The Black Sorrows can put on a great performance and on a whole however the final number is normally the high note that the band leaves the audience on, and this was not the most uplifting number. A slight set placement adjustment would fix the problem and leave everyone feeling happy, I feel. The final set of the night belonged to Ross Wilson who opened with “Bed Of Nails”. By “Come Back Again”, which was the third song in the set, it was visible that Ross had the audience in the palm of his hand. After “Time Destroys (as well as heals)” Ross dedicated “World’s Got Everything In It” to longtime dedicated fans Yvonne and Glen. John McAll put on an impressive performance on Grand Piano during “Baby Let Me Bang Your Box”. After an amazing version of “Hi Honey Ho” was a new song, “Take Your Time”. Ross is working on a new album that is coming out next year sometime on a major label. Watch this space for more details soon. A live treat, “Mood Swing” was followed by Daddy Cool song “Hey Sinorita”. Three members of Mondo Rock were present that night (keyboardist James Black played with The Black Sorrows) and mondo rock numbers “Summer Of 81” lifted the roof as did the instantly recognizable “Cool World”. “Come Said The Boy” had everyone clapping along and the set was finished with “Eagle Rock” . . . at least until the Ross, as the only performer to be asked for an encore performance, came back out to the delight of the audience for the moving “State Of The Heart” which actually reduced some members of the audience in tears. The last song of the night was the upbeat “Daddy Cool” which had the audience dancing and clapping along. The ARIAS were on a few weeks ago, congratulations to all the winners and to Jim Barnes on his Hall Of Fame induction. I’d also like to congratulate Neil Finn for that touching performance of “Better Be Home Soon” dedicated to Paul Hester and the lovely tribute the organizers arranged. The audience participation was also fitting, everyone on the audience seemed to know the words and want to sing along with Neil, if they were able to. Well done to all involved for a fitting tribute to someone that will is sorely missed by friends and fans alike. 20 to one . . . . It was good in all, however I have a few small gripes. Although Crowded House lead singer Neil Finn is a New Zealander, Nick Seymour and Paul Hester were both Australians, and thus it is unnecessary to describe Crowded House as a New Zealand band that Australia claimed. Autraliana by Austin tatious is good, however, technically it’s not a song (and when Billy Thorpe and Spectrum miss out for a spoken poem, you have to start asking questions!) Another thing, Kylie Minouge was put at number 7 whereas “Shout” by JO’K was at number twenty. O’Keefe pioneered Australian rock music, when Col and Johnny started out there was no industry, the ground rules on what to do and what not to do was set by them. Shout is still Performed by many a great artist today and has more longevity than I think Locomotion does. It started Kylie’s career and was a big song at the time, but in 30 years are people still going to be singing it? “Shout” has already proved its longevity and thus, should have been played lower than “Locomotion”. I also question the validity of “Torn” by Natalie Imbruglia When you consider some of the acts that lost places, i.e. Joe Camileri, Paul Kelly, Masters Apprentices then “torn” pales in comparison to “Because I Love You” by Masters Apprentices, “I’ll Be Gone” by Spectrum or “Leaps And Bounds” by Paul Kelly. I also question the absence of Mondo Rock. The compilers could have done something similar to what they did with cold chisel and Jim Barnes, which was to put them on a level. I think that’s fair, mondo rock were just as good as Daddy Cool and just as big. “Come Said The Boy”, “Cool World” and “Chemistry” are all good songs, all have the longevity and play an important part in Mondo Rock’s story and will probably still be around when “torn” has gone past it’s use-by date. The last thing that really bugged me was that Down Under by men at work was at number 2 and eagle rock at number three. Don’t get me wrong, Down Under is a great song, Colin Hay is a great songwriter, however, putting Eagle Rock(the unofficial national anthem according to the likes of Wilbur Wilde, Frankie J Holden and Billy Thorpe) up higher than a song written by a Scottish guy about a man throwing up beating a song that broke chart records, inspired the likes of Elton John and is embedded deep into the hearts of Australian music as well as launching Daddy Cool, the band that made Ross Wilson famous, well it’s almost blasphemous

Posted at 11:31 am by angel_039_95
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Thursday, October 06, 2005
Walk in honour of Paul

The Port Phillip Council has approved the naming of a walk along the Elwood canal after the much loved Crowded House drummer between Glen Huntly road and Wave Street. The original suggestion of naming a walk or reserve after Paul prompted over 200 submissions in support for the walk from all over the world, not just in Melbourne, There were some letters and e-mails from as far as Europe offering their approval for the walk. Mayor Darren Ray said Port Phillip council decided on one of the initial proposal and name a walk, rather than a reserve, after the musician: "As one submission pointed out, Paul Hester was anything but reserved. He was cheeky and witty . . . besides a walk also implies activity . . . something that Paul Hester enjoyed." Paul had always been a strong presence in the area, for example the time he rode down the street in a cherry picker to oppose the Acland street redevelopment. Paul also featured on a fundraising CD called “Sounds Of St Kilda”, to raise funds for The Sacred Heart Mission. "There is no denying that many in Elwood loved Paul Hester and that Paul Hester loved Elwood" Mayor Ray said. Neil Finn will perform at the ARIA’s this year in honour of his former band member whom he admitted to Melbourne audiences is never far from his mind. The decision to approve this walk has insured one thing that his friends, family and many fans can take comfort in, his legacy of laughter and enjoyment of life will live on in those that use the walk and remember him.

Posted at 09:28 pm by angel_039_95
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Monday, October 03, 2005
bits and peices

Louisiana Benefit- 29th of September, 2005

 

The Hog Stompin’ Zydegators were on first and warmed up the crowd as well as the two DJs that played songs in between sets. Ross Wilson was next to take the stage and opened his set with “Can’t Love Myself Today” (which can only be found on Hey Gringo’s “Three” album) followed by a new song, which Ross had never played live before, called “sexy girl”. He scanned the crowd before saying that there was one down the front. The girl blushed with the title as Ross started playing his new masterpiece. The new was then followed by the old as Ross backed by Paul Williamson’s Hammond Combo treated the crowd to a Pink Finks song, “Got Love If You Want It”. Ross Hannaford jumped on the end and stayed for an amazing version “Come Back Again” to finish the set. Ross Hannaford stayed on and played two more songs, including a Bob Marley cover before Renee Geyer joined Hannaford onstage with a band for a soulful set that left even Renee in tears. This was followed by extraordinary blues legend, Lazy Lester taking the stage with Benny and The Fly-By-Niters and everyone watched in awe as the 72 year old blues man held the audience captivated for the night.


 


The Sparrows continue to rock

The Sparrows, fronted by Michael Badger, blew the roof off in a sensational performance at The Rob Roy hotel in Brunswick Street two weeks ago, as part of a four week residency. With a new drummer in toe, The Sparrows performed a sensational set, which included “Diamond Eyes” as well as a classy cover of “Tin Soldier” and with a long awaited EP coming out in a few weeks; watch this space for more details. If you are into rock and ever see them playing in your area, go see them live and you’ll never look back.

 

The Inches release a debut EP . . . and in true form, it sounds damn good, so if you love music (and if not, why are you looking at a music site?) go buy it. You can order it here, at their brilliant new website http://www.theinches.com.au/. If you’ve never heard the inches (who recently blew Bakelite age off the stage whilst supporting the Pictures) go to the “boom box of Love” and satisfy your curiosity. They are playing at Revolver upstairs on Friday, the 7th of October for $5, music as good as it was “back in the day” and prices as good as they were back then too, it’s sure to be a gig you don’t want to miss.

 

Channel 9 are running an interesting show at the moment (if I’m actually watching TV, it’s got to be good!) on Tuesday nights called 20 to 1. Interesting because they promise to count down the 20 best Australian songs of all time, which I’d have to say would be tough, considering I can’t even pick my top 20 Australian songs from the 70’s, however tough the job is, I am interested to know HOW they are picking these twenty songs? (Yes, I’m preparing for debate before I’ve even seen it.) However, if someone like Holly Valance is at number one, I’m going to laugh, or cry. Quite possibly both at the same time.

 

Speaking of arguments . . .

Ross Wilson didn't get to gig in Nashville earlier this month because according to the Immigration and Naturalization Service, the visas (the other visa belonging to Neil Murray) being barred "was on the grounds that the festival had provided "insufficient documentation" to demonstrate that they were culturally significant artists." Naturally, yours truly is OUTRAGED! How hard is it to actually PROVE the significance of someone as talented as Ross Wilson and who the hell at the other end isn't listening?! A 17 year old could do it! Infact, a 17 year old DID. I made a journalist eat his own words last year for saying something similar. You could argue the commercial success of “Eagle Rock” and the lasting impact of said success has left a permanent mark on the Australian music industry. You could argue that Wilson has worked with some of Australia’s most popular artists (including John Farnham and Jim Barnes). You could argue that the sheer sentimental value of some of Wilson's songs alone would be enough cultural significance and that he has influenced some of Australia’s up and coming artists as well as some of the older ones. You could argue that Ross Wilson is hugely respected by other musicians. You could even kindly remind the immigration commission that “Eagle Rock” was a success in parts of America. Just pressing on one of those topics for long enough should have proven cultural significance, before even bothering to combine them, and combined anyone should have a case that's undeniable. Then again, anyone that knows me will know it's an argument I'm experienced in. Sorry for the rant, but it's practically like saying "here is a bull, let's wave a red flag in front of it and see what happens". Ohhh well, it's all over and done with now, I suppose *grumble grumble*





Contact e-mail
A reader of this site approached me at the Louisiana Benifit gig the other night and asked me for a contact e-mail. It is ozmusicrocks@hotmail.com Drop me a line, I'd love to know what you think of the site.


Posted at 06:22 pm by angel_039_95
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Thursday, September 29, 2005
Ross Wilson steals the show . . .

Ross Wilson @ The Royal Melbourne Show. 21st/09/ 2005

 

Wilbur Wilde started the show with an instrumental piece followed by the Dragon hit, “April Sun In Cuba. After the Axiom classic, “Little Ray Of Sunshine”, Ross Wilson and Eric McCusker joined the band on stage to the applause of the audience, opening with “Good Rockin’ Daddy” before playing “Bed Of Nails”, from the album “Dark Side Of The Man”*. The next few songs were both mondo rock hits(mondo rock reform for three shows in November, but more news on that later) “Summer Of 81” and “Cool World” were both well received before the 1971 classic “Come Back Again”.  Ross then had an entranced audience clapping to the intro of “Come Said The Boy” The second set was opened by Wilbur Wilde and guitarist Paul Gadsby dancing to “Love Is In The Air” which was followed by Skyhooks drummer Freddy Strauks singing “All My Friends Are Getting Married”. Ross Wilson and Eric McCusker were then re-introduced and played two daddy cool numbers “At The Rock House” followed by the 1972 hit “Hi Honey Ho” . After a few covers, one originally by Chuck Berry and the previous song being the Elvis classic “Hound Dog”. Paul Gadsby then stepped forward to perform a stunning version of “Stand By Me”. After “She’s So Fine” Ross turned to the audience and said “I want you all to turn to the person you’re here with or the person you’d like to be here with and say to them “I love you”. They’ll either say it back or give you a restraining order. Either way I’d like to see it” before “State Of The Heart. Wilbur Wilde turned to the audience and asked them all to be upstanding for the national anthem. As the opening notes of “Eagle Rock” filled the air, audience members of all ages stood up and happily sung along to the timeless classic that closed the performance.

 

*Footnote: this CD is no longer available in stores. However, there is a copy of the track on “Now Listen”


Posted at 04:04 am by angel_039_95
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Monday, September 12, 2005
Now that my net's not having problems

I can post the next lot of gigs

Hey Gringo are playing the next two thursdays down at The East Brunswick Hotel, Lygon street Carlton, so get down there at 9pm and you're sure to have a great time. I went last thursday and it was great. So good I'm going back this week. It's a free entry gig and there are a few giveaways to be won.

Mark Seymour is playing at the Northcote Social Club this friday night, I'm going so I'll be able to give you a review, but at $25 a ticket, you can't go wrong, even if you just wanted to hear "throw your arms around me" live

Josh Owen is also playing this friday night, down at the Cornish arms at 9:30 PM, for $10 you get Josh Owen's three peice band and Rob Longstaff on support, also a great way to spend a friday night, particularly if you're into funk.


Something I was lucky enough to buy was the Idols of the 80’s unplugged CD and have to say it’s great. I was not surprised to hear Brian Canham’s voice still in fine form during acoustic performances of “Listening”, “Don’t Go” and “A Beat For You” as well as Scott Carne singing “Change In Mood”, however, the real surprise is Brian Mannix’s mellifluous voice during “50 Years”. If anyone ever doubted that Brian Mannix has talent, this song proves them wrong. It’s a stunning version of an already great song and “Everybody Wants To Work” sounds fabulous as well. If you haven't got it you may want to e-mail interpol records and see if they have a copy left as it's not availiable in stores but if you e-mail idols@interpolrecords.com the good folk there may be able to do something for you

 

Posted at 05:57 pm by angel_039_95
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Tuesday, August 30, 2005
a few reviews

The Pictures, The Vandas, The Inches, Bakelite Age @ The Corner Hotel. Saturday, The 2nd Of July

 

The Inches opened up the show with “Never Sleep” and a strong set with catchy rock tunes like “S.O.S” and “Bad Reputation” in an energetic performance that included an awesome cover of Deep Purple’s “Space Truckin”. The only difference being that Andrew Ferz in more interesting to watch than Ian Gillan. The Inches finished with “Undercover” and by far outshone and outclassed the next act, Bakelite Age. The Vandas, however are worthy of the name they took from Harry Vanda, talented songwriter and member of 60’s Australian rock group, The Easybeats. The Vandas show a lot of promise and talent and have a strong following in Melbourne already. Their set included three tracks from their latest EP, Didn’t come here to be alone as well as “Right Time” and “3 Steps” finishing a 10 song set with “Drag” before The Pictures came out and opened up with “Knocked Out” to the cheers from the audience. This was followed by “Stupid Me”. The Pictures played seven songs in total from their self titled album and finished with the singles “Pissin’ With The Catman”.  Davey Lane had the audience in the palm of his hand as they screamed for more, the encore consisted of two songs including a cover in the set.

 

Hey Gringo “Three” CD Launch goes off

Hey gringo were in fine form last night at The Rainbow to re-launch their long awaited third CD, titled “three”

 

The night kicked off with a set that included “Go Your Own Way and “No Doubt About it” as well as a few songs with guest Mike Rudd that warmed the crowd up before taking a short break. The second set was started with the boys from Spectrum joining Hey Gringo onstage for “You Know What I Mean” and Spectrum classic “I Wanna Know”, before another special guest, Ross Wilson took to the stage singing both songs co-written with Daryl Roberts, “Old Country Road” and a fantastic version of “Can’t Love Myself Today”  before another short break. The final set for the night was packed with Hey Gringo classics, starting with “12 Bar Blues” followed by “Ticket To Go”. A few songs later, drummer Les Oldman requested “Soul” before “Past 35”. The night was finished off with “Now’s The Time” and the “prophetic” “Face Myself”. An all round fun night was had by all, congratulations to all involved.

On a disappointing note however, I would like to report a sad farewell to one of Melbourne’s most beloved rock venues, The Duke Of Windsor is closing this week. Quite frankly, I want to say, it’s outrageous. What is they world coming to? Is someone going to close down The Tote next? Bands like Jet, Dallas Crane, The Pictures and The Casanovas (just to name a few) started off there. The Sparrows were given a mini residency there. It’s the only good small venue in that area and it’s being closed down. A piece of Australian music industry is closing folks, and it’s nothing to rejoice about. This venue also played host to some of Australia’s greatest rock bands like AC/DC, The Angels and Midnight Oil. I now understand how Billy Thorpe felt when they shut Surf City. It’s a damn shame that a good Australian rock venue is being turned into a pizza parlour with doof doof and foreign beer. It’s been taken over by the people that own Bimbos Deluxe, so there’s no hope that the new owners are going to keep the sacred venue’s original purpose. The closing of the Duke is going to make it harder for younger bands to get gigs. The Duke played host to events such as “Rock wars” where rock bands could try their wares against each other. Jet’s Nic Cester has sited The Duke’s staff as being some of the first to have faith in Jet. Smaller venues are also necessary for younger bands to help alleviate the pressure on going from playing a few gigs, to trying to pack out bigger venues and the closing of this venue, is shutting the doors on opportunities for so many younger rock bands. I think I’ll boycott bimbos from now on. . .


Posted at 02:46 am by angel_039_95
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Thursday, June 30, 2005
Ross Wilson At The Cornish Arms, Saturday, 25th Of June

The show was opened with a laid back version of “Bed Of Nails”, followed by “Good Rockin’ Daddy”.  The Cornish Arms choir then kicked in for “Come Back Again” and Ross played the “confessional” “Time Destroys (As Well As Heals)”. Ross then recounted a story with the Urban Legends lead guitarist, fellow ex-mondo rock member Eric McCusker before playing “(I Was On) MTV In The 80’s”. Ross invited Eris O’Brian, who wrote “Like A Cross”, to join him onstage to perform it before “Hound Dog”. Ross then spoke about the controversy surrounding the Bill Ward and the Dominoes original, “Baby Let Me Bang Your Box”.  The next song was “I Come In Peace” and Ross co-wrote it with Rick Brewer. After “Cool World”, Ross wound up the first set with a fantastic semi-acoustic version of “Hi Honey Ho”.

 

Ross opened the second set by talking about getting older and introduced “Strange As It May Seem” by dedicating it to everyone in the audience. This was followed by another new song, “Here On God’s Island” and then the moving “Same Moon” in which I noticed some members of the audience so moved they were in tears. After “Old Country Road”, Ross spoke about working with Hey Gringo and that they bring out the self loathing in him, before posing the question, “I know, I’m pathetic, aren’t I?” but the crowd strongly disagreed with that statement. It was then time for a few Daddy Cool songs and “Hey Sinorita” had the audience clapping along, as did “Daddy Cool”. Ross then introduced lead guitarist, Eric McCusker and played Mondo Rock hits, “State Of The Heart and “Come Said The Boy”. The crowd erupted for the last song of the set, “Eagle Rock” and were left screaming for more before coming back out for “Summer Of 81” and “Whole Lotta Shakin’ Goin’ On”. AS I left I heard members of the audience remarking that it was one of the best concerts they’d been to, and I agree with that statement.








Photos will be up when I get them back. I will also put up the review of Birtles, Shorrock, Goble when I get the photos back


Posted at 07:22 pm by angel_039_95
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